Forsaken Bird II
Bird-like contours condense out of the paint texture, then withdraw again.
Documented originals · eight of them
Bird-like contours condense out of the paint texture, then withdraw again.
Dense, opaque layering. The work refuses to be named.
Devotion as a method, not a gesture.
The first of the series. The anchor.
The anchor has come loose. Movement in the depth.
Condensing and dissolving at once — the hidden becomes the composition.
Ink instead of oil. Nothing here can be taken back.
Concentrated layering on a smaller format, the bird still plainly visible.